Artist’s Reflection (Review)
In my creative writing project, I wanted to use the modern practice of creating “original characters” or “OCs” (a Deviantart definition, very fitting) to fit Owenson into her poem, “The Irish Harp” and show a little bit of what I see constituting Owenson’s goal of inspiring the Irish and inciting passionate emotions while trying to give the Irish people a voice. This ended up being through reusing her poem and changing it to fit a more “Owenson-centric” focus and focusing on visual imagery to help provide more information in an easily accessible format.
I personally wanted to choose a multimedia physical piece to imitate a Deviantart uploader and/or user to convey a different take on Sydney Owenson’s poem, “The Irish Harp.” The use of Deviantart as a medium, in way, and creating an OC through it helped me to convey a more loose reinvention of Sydney Owenson’s poem by allowing me to establish different characters to help symbolize different elements of her readers are unable to see within her own poem – while the poem depicts a minstrel and his harp, Owenson herself, in my imitation, is placed within the central focus of a modern approach because as an “OC” of her work, she conveys themes of rebellion she chooses not to mention herself – with her playing a “faux Irish harp” in “parties of the English nobility,” among many other seemingly small societal choices.
The choice to use a mixed art format overpowers the minimal usage of “imitation” in the written poem (rewording, changing key words, and condensing) but instead stretching it to belong within other art pieces. I did this because I felt as though both a short poem and larger focus on different sketches and art styles would be more visually appealing to a modern audience, especially one on Deviantart. Also, some general familiarity in basic pen and pencil doodles helped; comics were inserted as filler for the background but have generally influenced by art style. The general form of my work is as a part within a whole, similar to how Owenson published her work into a collection of “Metrical Fragments,” but differs through the length of the poem and choice to use images to convey further meaning, making Owenson a part of her own literary world (figuratively) as she did herself by taking on the act of Glorvina, a character she created herself. Content-wise, my priority was to include Owenson into her own work to help share her voice as she does with the Irish facing oppression from the British in the 1800s, and add her own rebellious voice to reinforce her stance by making her another character within her poem. Although imitation is seen through the rewording of her poem, I chose to draw her as a harpist with a harp in order to show not only how a modern reader could further her work but also expand the choice in medium to better suit a more art-centric and passionate community.
I was also inspired by this video and her playing and posture!