Thomas Moore’s poem, “Dear Harp of my Country” sways between being proud of being Irish, but also nostalgic or melancholy for the situation the country is in. Thomas Moore tells in line two about the “cold chain of silence” that burdened the titular harp. In the same stanza, Moore talks about his own “Island Harp” as if to say the harp and his country are one in the same. The harp has taken on this epistemological identity of Irishness and with it, one can then relate the sound it makes to the connotation of the country of Ireland. Ironically, “the cold chain of silence” could be a clear indication of the English colonization that may have stripped the epistemology away from the Irish. This is where the nostalgia is evident because it seems to be lamenting over a time when Irishness was more solidified. To be under the thumb of England affected Ireland on a political level, but also on the level of intrahistory–that is, on a personal level, Irish people became subjected to being second class citizens in their own native home.